by Daniel Fink, MD, Chair, The Quiet Coalition
This wonderful piece in the New York Times discusses how classical music evolved from quiet to loud. The article discusses both how composers wrote generally quiet music until Beethoven started writing louder music, with those who followed him writing even louder music. Then orchestras started playing more loudly, to the point where audiences put their fingers in their ears during the loudest passages.
My wife and I attend concerts of the Los Angeles Philharmonic. When Essa-Pekka Salonen was music director, his specialty was conducting Mahler’s works. The sound levels were tolerable.
I developed tinnitus and hyperacusis at the end of 2007, after a one-time exposure to loud noise at a New Year’s Eve dinner in a restaurant.
The current music director, the wonderful Gustavo Dudamel, replaced Maestro Salonen in 2009. Gustavo–everybody in LA just calls him Gustavo–conducts the orchestra at a greater sound level. Especially for works like Stravinsky’s Firebird, I find the sound painfully loud.
I just insert my earplugs and enjoy the concert comfortably.