Livia Albeck-Ripka, Vice, writes about Bernie Krause, soundscape ecologist, and his lilfe’s work in “This is what extinction sounds like.” Albeck-Ripka tells use about how Krause came to spend a lifetime recording the sounds of our natural world:
He might have guessed where his career was heading, having scored Apocalypse Now and been an early adopter of the plastic sound of 80s synth. Back then, Krause thought of the natural world as mere ambience. Earlier, he had been a violinist, a guitarist, and part of the folk band the Weavers. But in 1968, commissioned by Warner Bros. to make an album that included some samples from nature, he ventured just north of San Francisco into the Muir Woods one October afternoon and had an epiphany.
“The moment I switched on the recorder and heard the incredible impact of the outdoor space,” Krause told me recently, “I made the decision then and there to find a way to do that for the remainder of my life.”
But now, Albeck-Ropka writes, “he has become an expert in the sound of extinction.”
Although our planet is under a lot of stress, it’s not entirely grim–there are signs that the natural world finds a way to continue on. Click the link above to read the entire article.
Link via @QuietMark.
Originally posted at Silencity.com.[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]